Headless Horseman - Tech Talk
Headless Horseman - Tech Talk
Just came across this tech talk with Headless Horseman (who I've discovered not that long ago, but really enjoy). It's more about how he needs his creative situation to be, than deeper tech talk, but I found some of it quite interesting
youtu.be/GrkMDeJNZsM
youtu.be/GrkMDeJNZsM
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Re: Headless Horseman - Tech Talk
Why the persistence with the stupid costume and the voice alteration. Everyone knows who headless horseman is, it`s pure theatrical gimmicky bullshit.
You can`t do the anon thing then agree to a fucking production interview. Either do the anon thing or don`t.
But we need to generate content as artists now right?
Fuck all of this shite.
You can`t do the anon thing then agree to a fucking production interview. Either do the anon thing or don`t.
But we need to generate content as artists now right?
Fuck all of this shite.
Re: Headless Horseman - Tech Talk
Well I didn't know who he is (but then Google knew). I get what you're saying about it being gimmicky - I like his music, though, so that helps me ignore that part.Lost to the Void wrote: ↑Wed Mar 23, 2022 6:43 pmWhy the persistence with the stupid costume and the voice alteration. Everyone knows who headless horseman is, it`s pure theatrical gimmicky bullshit.
You can`t do the anon thing then agree to a fucking production interview. Either do the anon thing or don`t.
But we need to generate content as artists now right?
Fuck all of this shite.
It's funny - I once saw Peder Mannerfeldt perform using almost the same headpiece... But that was for theatrical purposes, not to obtain anonymity
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Re: Headless Horseman - Tech Talk
I mean, Bill's music is great.Amøbe wrote: ↑Wed Mar 23, 2022 10:42 pmWell I didn't know who he is (but then Google knew). I get what you're saying about it being gimmicky - I like his music, though, so that helps me ignore that part.Lost to the Void wrote: ↑Wed Mar 23, 2022 6:43 pmWhy the persistence with the stupid costume and the voice alteration. Everyone knows who headless horseman is, it`s pure theatrical gimmicky bullshit.
You can`t do the anon thing then agree to a fucking production interview. Either do the anon thing or don`t.
But we need to generate content as artists now right?
Fuck all of this shite.
It's funny - I once saw Peder Mannerfeldt perform using almost the same headpiece... But that was for theatrical purposes, not to obtain anonymity
But think about the reality of that interview.
In real life, in actual real life he sat with an interviewer and wore that silly costume whilst talking about production, and then asked for his voice to be altered.
People take the piss out of Kanye for that whole wearing a sock over his head shit. This is the same, it's farcical. It has nothing to do with anonymity.
It's about a brand.
Re: Headless Horseman - Tech Talk
This is quite hilarious to think aboutLost to the Void wrote: ↑Thu Mar 24, 2022 3:05 pmIn real life, in actual real life he sat with an interviewer and wore that silly costume whilst talking about production, and then asked for his voice to be altered.
I think you are onto something here - I'm all for doing some theatrical stuff and concepts, but I find it hard to think that his need for anonymity (I'll just take his words for that was an actual need, when he started the project) is still the reasoning behind it. And the whole 'I want to focus on the music instead of the person' thing has also backfired a bit, since people are always talking about that veil, when his music is brought up.Lost to the Void wrote: ↑Thu Mar 24, 2022 3:05 pmIt has nothing to do with anonymity.
It's about a brand.
I just saw that sch-impossible-to-write-out-the-rest have stopped with the anonymous stuff - I also love their stuff, by the way
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Re: Headless Horseman - Tech Talk
It is literally a brand. A schtick to get people interested in the mystery. if it were about anonymity you wouldn`t be letting the media in to your studio to talk about how you make music. People identify headless horsebag with the image.Amøbe wrote: ↑Fri Mar 25, 2022 9:49 amThis is quite hilarious to think aboutLost to the Void wrote: ↑Thu Mar 24, 2022 3:05 pmIn real life, in actual real life he sat with an interviewer and wore that silly costume whilst talking about production, and then asked for his voice to be altered.
I think you are onto something here - I'm all for doing some theatrical stuff and concepts, but I find it hard to think that his need for anonymity (I'll just take his words for that was an actual need, when he started the project) is still the reasoning behind it. And the whole 'I want to focus on the music instead of the person' thing has also backfired a bit, since people are always talking about that veil, when his music is brought up.Lost to the Void wrote: ↑Thu Mar 24, 2022 3:05 pmIt has nothing to do with anonymity.
It's about a brand.
I just saw that sch-impossible-to-write-out-the-rest have stopped with the anonymous stuff - I also love their stuff, by the way
Pure branding.
This is where techno is now. Costumes and bullshit.
Re: Headless Horseman - Tech Talk
I think this is where most things are, not only technoLost to the Void wrote: ↑Fri Mar 25, 2022 4:20 pm
This is where techno is now. Costumes and bullshit.
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Re: Headless Horseman - Tech Talk
I'm seriously considering putting on a new event in a warehouse.
Just a big stack, smoke, terrastrobes, and the DJ area hidden behind Camo netting, so no one can see the booth.
Ivd call it Face The Speakers.
Just a big stack, smoke, terrastrobes, and the DJ area hidden behind Camo netting, so no one can see the booth.
Ivd call it Face The Speakers.
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Re: Headless Horseman - Tech Talk
That would really confuse them, they wouldn't know where to point their phones.Lost to the Void wrote: ↑Sat Mar 26, 2022 7:17 pmI'm seriously considering putting on a new event in a warehouse.
Just a big stack, smoke, terrastrobes, and the DJ area hidden behind Camo netting, so no one can see the booth.
Ivd call it Face The Speakers.
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Re: Headless Horseman - Tech Talk
Haha...I agree. Sure its about the music but its an interview with the musician...take that fuckin thing off!Lost to the Void wrote: ↑Wed Mar 23, 2022 6:43 pmWhy the persistence with the stupid costume and the voice alteration. Everyone knows who headless horseman is, it`s pure theatrical gimmicky bullshit.
You can`t do the anon thing then agree to a fucking production interview. Either do the anon thing or don`t.
But we need to generate content as artists now right?
Fuck all of this shite.
Re: Headless Horseman - Tech Talk
I don't listen to this person and also think it is a bit lame but you are getting anonymity and image confused.
This is an artist who is trying to put forward an image or character. Much like cookie monster. Everyone knows there is a hand up the puppets ass but the character itself is the cookie monster who loves cookies. Not a person with a puppet on their hand where the puppet likes cookies.
Look at Sunn. Everyone knows who they are so why do they get on stage in these stupid capes? They are trying to create an image around what they are doing.
Anonymity is more like Pom Pom. Putting out records with no sign of the person behind it. Maybe someone here knows who they are?
I don't pay these kind of headless horseman acts that much attention. I like it when the ratio of quality of music:personality is way outbalanced towards the quality of music. The less i can find/see/read about a great artist, the better.
This is an artist who is trying to put forward an image or character. Much like cookie monster. Everyone knows there is a hand up the puppets ass but the character itself is the cookie monster who loves cookies. Not a person with a puppet on their hand where the puppet likes cookies.
Look at Sunn. Everyone knows who they are so why do they get on stage in these stupid capes? They are trying to create an image around what they are doing.
Anonymity is more like Pom Pom. Putting out records with no sign of the person behind it. Maybe someone here knows who they are?
I don't pay these kind of headless horseman acts that much attention. I like it when the ratio of quality of music:personality is way outbalanced towards the quality of music. The less i can find/see/read about a great artist, the better.
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Re: Headless Horseman - Tech Talk
Like I said, branding
Re: Headless Horseman - Tech Talk
that's just the reality of this world. If anyone here has ever written a bio or descriptive text about their art, it is effectively branding. Some people just like to devote more time to the packaging.
The thing that really annoys me is when this sort of thing IS reasoned by the artist as 'i wear the mask/disguise so that people will just focus on the music and not the person.' In reality the mask creates so much distraction that the focus shifts more towards the mask. So that argument to me is really annoying.
Re: Headless Horseman - Tech Talk
I agree that it feels disingenuous. Even acts that managed to go a long time without their true identities being known still gathered attention because of the costume, not in spite of it. It's similarly a bit weird because in other genres, costumes are plainly and openly a part of branding, i.e. Orville Peck (mysterious gay cowboy, who already did this look much better imo) or Deadmau5 (shiny lights!). But since techno is supposed to be dark and serious and underground (as if), it has to become an empty statement about the authenticity of the music itself. I don't care if people wear costumes, I love a bit of theater, but it's the attitude that really irks me.buffered wrote: ↑Wed Mar 30, 2022 4:07 amThe thing that really annoys me is when this sort of thing IS reasoned by the artist as 'i wear the mask/disguise so that people will just focus on the music and not the person.' In reality the mask creates so much distraction that the focus shifts more towards the mask. So that argument to me is really annoying.
Re: Headless Horseman - Tech Talk
I've always loved it when the booth is tucked away in a corner or otherwise hidden. You can see it enough to know that it's there, but it's clearly meant to deflect your attention. Totally changes the atmosphere in a good way.Lost to the Void wrote: ↑Sat Mar 26, 2022 7:17 pmI'm seriously considering putting on a new event in a warehouse.
Just a big stack, smoke, terrastrobes, and the DJ area hidden behind Camo netting, so no one can see the booth.
Ivd call it Face The Speakers.
I remember once going to a party where they had built a DJ cage out of a lot of tree branches, woven together thickly enough that it was a bit hard to see inside. It looked and felt great.
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Re: Headless Horseman - Tech Talk
That`s precisely what is happening here.... And once again, is my point.buffered wrote: ↑Wed Mar 30, 2022 4:07 amthat's just the reality of this world. If anyone here has ever written a bio or descriptive text about their art, it is effectively branding. Some people just like to devote more time to the packaging.
The thing that really annoys me is when this sort of thing IS reasoned by the artist as 'i wear the mask/disguise so that people will just focus on the music and not the person.' In reality the mask creates so much distraction that the focus shifts more towards the mask. So that argument to me is really annoying.
And part of it is because we are so image led, and a man standing behind a desk pushing buttons is extremely shite visually.
It shouldn`t matter of course, it is supposed to be about the music, it`s not theatrical metal for fucks sake, but clowns feel the need to wear makeup and costumes etc, which to me makes it even more absurd.
If you are jumping around wearing a stupid costume squirting fake blood everywhere out of a guitar shaped like a chainsaw and it`s all a part of theatrics of performance, fair enough.
But a studio nerd standing behind a desk pushing buttons whilst wearing a half assed "spooky" costume?
Fuck all of this shit.
I`ve got one foot out the door from this scene already, there really isn`t much left keeping the other foot here.
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Re: Headless Horseman - Tech Talk
We always had the booth to the side of the rig and strung camo from the rig, right in front of the DJ`s, so you could barely see them.mervv wrote: ↑Wed Mar 30, 2022 5:01 amI've always loved it when the booth is tucked away in a corner or otherwise hidden. You can see it enough to know that it's there, but it's clearly meant to deflect your attention. Totally changes the atmosphere in a good way.Lost to the Void wrote: ↑Sat Mar 26, 2022 7:17 pmI'm seriously considering putting on a new event in a warehouse.
Just a big stack, smoke, terrastrobes, and the DJ area hidden behind Camo netting, so no one can see the booth.
Ivd call it Face The Speakers.
I remember once going to a party where they had built a DJ cage out of a lot of tree branches, woven together thickly enough that it was a bit hard to see inside. It looked and felt great.
I did a wicked gig run by an anarchist punk collective in a historical squat venue turned community hub, in Oberhausen a few years back. There was a stack on each corner of the dancefloor, the lighting trussing all centred the lighting to the floor and the room centre, and the DJ`s were set way back in darkness. It was awesome, totally shifted the vibe on the floor. People were dancing together more, facing each other more, vibing more, I could have played that PA completely nude and no one would have known.
Re: Headless Horseman - Tech Talk
LOL. Made me think of this video which is truer to reality.Lost to the Void wrote: ↑Wed Mar 30, 2022 6:13 pmThat`s precisely what is happening here.... And once again, is my point.buffered wrote: ↑Wed Mar 30, 2022 4:07 amthat's just the reality of this world. If anyone here has ever written a bio or descriptive text about their art, it is effectively branding. Some people just like to devote more time to the packaging.
The thing that really annoys me is when this sort of thing IS reasoned by the artist as 'i wear the mask/disguise so that people will just focus on the music and not the person.' In reality the mask creates so much distraction that the focus shifts more towards the mask. So that argument to me is really annoying.
And part of it is because we are so image led, and a man standing behind a desk pushing buttons is extremely shite visually.
It shouldn`t matter of course, it is supposed to be about the music, it`s not theatrical metal for fucks sake, but clowns feel the need to wear makeup and costumes etc, which to me makes it even more absurd.
If you are jumping around wearing a stupid costume squirting fake blood everywhere out of a guitar shaped like a chainsaw and it`s all a part of theatrics of performance, fair enough.
But a studio nerd standing behind a desk pushing buttons whilst wearing a half assed "spooky" costume?
Fuck all of this shit.
I`ve got one foot out the door from this scene already, there really isn`t much left keeping the other foot here.
youtu.be/jgH3bZRKDZ8
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Re: Headless Horseman - Tech Talk
This is all a bit hard on Bill. His music is fine, it`s just the pointless costume that gets me.
Maybe if the music was more...performatively unique or avante garde or something, a silly costume would make more sense.
Maybe if the music was more...performatively unique or avante garde or something, a silly costume would make more sense.
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Re: Headless Horseman - Tech Talk
Haha, one of the most honest techno live performances there is.mindstuff wrote: ↑Thu Mar 31, 2022 3:09 amLOL. Made me think of this video which is truer to reality.Lost to the Void wrote: ↑Wed Mar 30, 2022 6:13 pmThat`s precisely what is happening here.... And once again, is my point.buffered wrote: ↑Wed Mar 30, 2022 4:07 am
that's just the reality of this world. If anyone here has ever written a bio or descriptive text about their art, it is effectively branding. Some people just like to devote more time to the packaging.
The thing that really annoys me is when this sort of thing IS reasoned by the artist as 'i wear the mask/disguise so that people will just focus on the music and not the person.' In reality the mask creates so much distraction that the focus shifts more towards the mask. So that argument to me is really annoying.
And part of it is because we are so image led, and a man standing behind a desk pushing buttons is extremely shite visually.
It shouldn`t matter of course, it is supposed to be about the music, it`s not theatrical metal for fucks sake, but clowns feel the need to wear makeup and costumes etc, which to me makes it even more absurd.
If you are jumping around wearing a stupid costume squirting fake blood everywhere out of a guitar shaped like a chainsaw and it`s all a part of theatrics of performance, fair enough.
But a studio nerd standing behind a desk pushing buttons whilst wearing a half assed "spooky" costume?
Fuck all of this shit.
I`ve got one foot out the door from this scene already, there really isn`t much left keeping the other foot here.
youtu.be/jgH3bZRKDZ8
I applaud this completely. It shows techno, as a performance, truly for what it is.
It`s brave to be that honest I think. No poncing about.
It also demonstrates how important lights, projections, visuals etc are. We should not be focusing on the person behind the desk.
I blame Boilerbollocks.