subsekt

With my (limited) experience on the matter, it really depends on the ability for you to exact your specific tastes on music consistently. If you find that your taste isn't so defined as to what sounds you like making, or what it is that you particularly want to accomplish with your sound, then it's ...

I'm sure someone who knows what they're doing would do a far better job than this, but here's my mixdown + master (2b limiting).

http://www38.zippyshare.com/v/3zvcv4wX/file.html

If you have the money, I would really recommend dropping it on an Apollo 8p. The reason being is that the UAD preamps are firstly extremely clean and neutral. The magic comes from their preamp modelling for Neve and UAD pres. I have a Twin Duo that I recently purchased, and for tracking and monitor...

If you have the money, I would really recommend dropping it on an Apollo 8p. The reason being is that the UAD preamps are firstly extremely clean and neutral. The magic comes from their preamp modelling for Neve and UAD pres. I have a Twin Duo that I recently purchased, and for tracking and monitori...

Everything sounds powerful when you push the levels. Thats the entire reason the loudness wars exist. It is an illusion though, its a short lived audio phenomena and that "power" soon introduces fatigue. That's what I thought, that's the basis of my question really....how do i get it to sound power...

If you like Live's Resonator, you'll love Corpus as well.

Yep, would be great if there was more than one lfo. Forgot about that minor detail but like you say, you can treat another operator as an lfo. I find that subtlety is the main thing more often than not .. When I find myself needing more LFOs, I use the M4L MIDI LFO. Pretty good. I find there's an a...

Oh fuck not using reverbs & stuff lol Yeah.. good work on that track too - Some real nice sounds. Did you use different operator set-ups in those patches, for different sounds.. or did you stick to one or 2 routings that you were familiar with? I use whatever routing necessary to get the sound I wa...

Well, that was fun. Made this in about an hour. Wasn't sure if I was allowed to use EQing or Compression or whatever, so it's basically just a bunch of instances of operator, no post processing whatsoever. Not great but what can you do, I missed my reverb haha. https://soundcloud.com/dolorum/operato...

Two things really helped me in getting my drum programming to "roll" properly. The first, making sure your track delay is set to work properly with whatever sample you're using. So if you have a hi hat, you can make the song groove very differently based on how ahead/behind the grid you place it. I ...

Would highly recommend it, I own a Zoom H5 and it's serving me well, but mainly because I'm the type of person who uses lots of field recordings and foley like sounds in my music.

Snare drum risers, bleep-bloopy random computer keys spammed lead.

Sorry, don't understand the appeal of Roland essentially packing a VST into a plastic box and then selling it as hardware? What about the countless 303 clones that I could buy instead...

So I finally decided to join the forum.Will start with a small question to you,guys.I started music production after I was impressed by northern electronics stuff(abdulla rashim,varg...)The main thing for me is that experimental vibe that they have,kinda feels that they doing everything live,just e...

Vocal has been pitched down, run through a chorus, maybe a bit of a vocoder, and a reverb with a short tail, high frequency dampening and lots of high rate of depth modulation on the decay of the verb. Also sounds like the vowel sounds close, probably a low pass with a high resonance that moves down...

For the people having issues with transients and how they sound, a few more details would be helping. What are you doing to the transients? Are they too loud/too quiet? What kind of processing/sample selection? Etc...

I think that THE BEST source of dub information on the internet has to come from this archaic piece of Web 1.0:

http://www.interruptor.ch/dub.shtml

Classic ITB producer style. Set up a 16 to 32 bar loop and build percussion/melody in whatever order feels right until I get a groove. Then modulate and see where I could take things to give myself an idea of what to do, then just start from the beginning of the track and try to work my way to the e...

btw mr dolorum, did you ever see that documentary about the guy who inspired Todd Terje for this track ? It's not that long, but it shows this guy who is in love with electronica music and who was always planning on leaving his shitty hometown at some point, and then his dad got really sick, so he ...

Here's a track that straddles the line between uplifting and melancholic, which I think is a great vibe:

youtu.be/NCPPJUp-Cvk

This one as well, but it's just full on happiness and executed well, not very techno though. I think the trick is not to make it annoyingly cheesy:

youtu.be/ebjXsc0UjdQ