subsekt

I'm not following at all sorry. What is difficult to beatmatch? Unless the entire track is in 3/4 what is the issue. What you've described is a track in 4/4 with some internal polyrhythm ( 3/4 ) That in itself doesn't cause beatmatching issues since any beatmacthing is exactly as normal, ie: done v...

I'm not following at all sorry. What is difficult to beatmatch? Unless the entire track is in 3/4 what is the issue. What you've described is a track in 4/4 with some internal polyrhythm ( 3/4 ) That in itself doesn't cause beatmatching issues since any beatmacthing is exactly as normal, ie: done v...

Why is it necessary to make the kick pattern 4/4? A kick/hat or kick/hat/clap can work just as easily in 3/4 or 6/4 or 6/8 etc as will your melody. Just avoid silly things like white noise builds and explosive drops which other people use to punctuate stuff in 4/4 centred around 8 and 16 bars etc. ...

Why is it necessary to make the kick pattern 4/4? A kick/hat or kick/hat/clap can work just as easily in 3/4 or 6/4 or 6/8 etc as will your melody. Just avoid silly things like white noise builds and explosive drops which other people use to punctuate stuff in 4/4 centred around 8 and 16 bars etc. ...

Reading this old post......... I´m fighting to put a 3/4 Melody into a 4/4 Kick pattern...

There are some kind of "trick" to fit it into a 4/4 Grid? Like after 16 "kicks" just cutting it, whatever it is (normaly it sounds like shit...)

Thank you for your answers

I already was thinking about some Chords processed with a Chorus

Hello, I was wondering if someone of you could give me some help about knowing which kind of synth or how I would be able to achieve this kind of sound, https://youtu.be/bHTtuASm3DA?t=2960 I mean those notes on loop during the whole Track. It is a FM Synth? Some kind a Sample with FX on it? Thank you!

I have the AKG 701 but hardly ever use them because I feel like I can hardly hear what's going on in the low end which makes my mixes much too bass heavy, trying to make up for it. When I listen to other people's music I also really need to pay attention to hear what exactly is going on in the low ...

I use it to sync all my hardware equipment, as the source of the MIDI Signal.

I have,

-Mopho+Tetra
-Streichfett
-NordDum2

I have not tryed it for live act or something similar but I guess it is one of the best options for it.

I asked GIK Acoustics and they recommended this set http://gikacoustics.de/produkte/gik-aco ... t-paket-3/ and the layout would be putting the Monitors before the window. They told me that the best place for a window is behind the Monitors.

Maybe that info could help someone

Hello, Searching on the forum I have already find that Foam = nothing, so... here is a short description how the room looks like, 3,60m x 4,70m x 2,40m http://i.imgur.com/CraT5mH.png (the parts painted with spray is a ceiling which is "not flat") I can distribute the place as I want but looking on t...

Then I´m fine with it so far it sounds as I want

I don't know if I'm a wizard... but is not the same to have: Channel1a: only bass cutted with a LPF & set to mono Channel1b: only not bass cutted with a HPF And you can spare 139€ You are not a wizard., you will more than likely get phase issues at the crossover point. It takes a specific type of f...

I don't know if I'm a wizard... but is not the same to have:

Channel1a: only bass cutted with a LPF & set to mono
Channel1b: only not bass cutted with a HPF

And you can spare 139€

That happens to me quite often and what I do is just to stop working on that project, for at least 6-8 months, and then take it again. You cannot imagine how much you can learn in that space of time..... which will help you to "remake" the Track, if the Idea was good. Sometimes the "finished" track ...

CubiK Mass wrote:How do you determine the SPL when working with headphones?, I dont have it too loud anyway but I'd like to make sure my ears are saved late at night when mixing with headphones...

that is a question which I have since years and no one answered to me...

Mackie Onyx-i 1220i ?

Well it`s about producing to a comfortable level, that`s all. I highly doubt you would find it comfortable to work at +80db If you like working at low volume then check the performance specs of your monitors because bass performance changes at low volume sometimes, and also the human ear responds d...

About the db "range".... how loud is "ok loud" ? What I'm asking is for example (more or less), -Too low: from 0db to 60db -Ok Loud: from 60db to 80db -Too Loud: over 80db What would be more or less your recommendations? I know that is also something personal, but I want wo be sure that I'm not prod...

I will take this topic up again....

I´m also taking the option of buying a mixer with USB/Firewire/whatever in order to connect it to my PC and be able to control also each channel of the mixer on my DAW. For that I would not need the Scarlett18i8 anymore I guess...

Any suggestion/opinion?